In order to work out a poetic printed circuit, the study literary tropes such as the double, the image in the mirror, the mis-en-scene; and note differences between the printed and dead and impermeable text with its instructions, and the life reader translating and interpreting and quoting.

For example, the mis-en-scene defies the technique of side-by-side printing putting in the scene its double: the interpreted text (this problem doesn't occur in any oral or electronic tradition). Its not just that the question of putting in the scene the distance between the dead writing and the life reader. More, its a question of highlighting the irreducibility of the play within the electronic system: to exceed its movement, accelerate its cycles until saturated, to take speed diachronically in an urgent tautology (the assertion of the assertion).

next short_circuit prev logic