This shows you the differences between two versions of the page.
| Both sides previous revision Previous revision Next revision | Previous revision | ||
|
the_politics_of_experience [2012/03/19 07:15] jj |
the_politics_of_experience [2012/04/01 04:22] (current) jj |
||
|---|---|---|---|
| Line 3: | Line 3: | ||
| {{: | {{: | ||
| - | **The Politics of Experience** | + | '' |
| - | April 12th 2012, Nohup, Studio 22, 38-40 Upper Clapton Road, London, E5 8BQ | + | |
| + | '' | ||
| + | |||
| + | '' | ||
| + | |||
| + | '' | ||
| The Politics of Experience oscillates between image, movement and stillness. Inspired by R.D. Laing and Walter Benjamin, The Politics of Experience sets out to demonstrate and highlight the unavoidable nature of difference through the experience of an event, the mediation of sculpture and installation, | The Politics of Experience oscillates between image, movement and stillness. Inspired by R.D. Laing and Walter Benjamin, The Politics of Experience sets out to demonstrate and highlight the unavoidable nature of difference through the experience of an event, the mediation of sculpture and installation, | ||
| - | An exhibition by **[[http:// | + | |
| Through the process of re-generation (copy of a copy), Basil Olton attempts to suspend movement into a repetition of a moment. Inspired by the fragility of narrative structures, memory and desire, he transforms the improvised passing of fragmented moments into a pattern, plot or mythos, using rhythm, rupture and the juxtaposition of texture, image and pattern to analyse meaning. | Through the process of re-generation (copy of a copy), Basil Olton attempts to suspend movement into a repetition of a moment. Inspired by the fragility of narrative structures, memory and desire, he transforms the improvised passing of fragmented moments into a pattern, plot or mythos, using rhythm, rupture and the juxtaposition of texture, image and pattern to analyse meaning. | ||